Paolo Veronese
Italian Mannerist Painter, ca.1528-1588 Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings.

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Paolo Veronese The guest time in the house of Levi oil painting


The guest time in the house of Levi
MK169 1573 Cloth 5.56x12.8m Accademia Venetie
Painting ID::  42669
Paolo Veronese
The guest time in the house of Levi
MK169 1573 Cloth 5.56x12.8m Accademia Venetie
   
   
     

Paolo Veronese Allegory of Love,III oil painting


Allegory of Love,III
mk170 circa 1575 Oil on canvas 186.1x194.3cm
Painting ID::  43062
Paolo Veronese
Allegory of Love,III
mk170 circa 1575 Oil on canvas 186.1x194.3cm
   
   
     

Paolo Veronese St Lucy and a Donor oil painting


St Lucy and a Donor
c. 1580 Oil on canvas
Painting ID::  43630
Paolo Veronese
St Lucy and a Donor
c. 1580 Oil on canvas
   
   
     

Paolo Veronese The Rape of Europe oil painting


The Rape of Europe
1580 Oil on canvas, 240 x 303 cm
Painting ID::  44395
Paolo Veronese
The Rape of Europe
1580 Oil on canvas, 240 x 303 cm
   
   
     

Paolo Veronese the guest meal of the Levi oil painting


the guest meal of the Levi
mk186 1573 Venice, Gallerie Dell-Accademia
Painting ID::  45421
Paolo Veronese
the guest meal of the Levi
mk186 1573 Venice, Gallerie Dell-Accademia
   
   
     

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     Paolo Veronese
     Italian Mannerist Painter, ca.1528-1588 Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings.

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